A Small Update... (05/07/2020)

Just giving a small update on the progress of some projects as well as an announcement regarding videos going forward!

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AMM2 Media Intro Animation (Gaming Variant)

For those that have seen my remastered NES Classic unboxing, you probably noticed this sleek new intro animation that I made in Adobe After Effects!

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The Little Mermaid Live

 (Source: Wikipedia)

I had such high hopes for this production, since I knew if it was successful, it could have lead to similar shows based on Disney's other stage adaptations. Matter of fact, I am not the biggest fan of Disney's The Little Mermaid, and even I found it nothing short of disappointing. I expected a production similar to other networks' broadcasts of stage musicals, such as A Christmas Story Live, where they would essentially broadcast the stage adaptation in its entirety (based on the marketing of this "event"). Unfortunately, that is not what I saw being played out; instead, I was treated to a mere broadcast of the 1989 film intermixed with "live action" segments whenever it was time for a musical number.
The constant switch between the animated and live action segments broke the immersion, and made the production seem inconsistent overall. If they wanted to broadcast the original film, then they should have done so, and the same could be said if they wanted to show the stage musical. It did not need to be this poorly-executed hybrid of both; consequently, it was difficult to understand what was going on in some segments due to the constant switch between the two. Adding insult to injury, the production was wrought with technical issues, such as inconsistencies with volume. Even by the end, it seemed like they simply gave up on the live action segments, because they did not even perform a live version of the finale.
In regard to the new versions of the iconic songs, these were arguably the weakest part of the production. However, I will say I enjoyed the new versions of Fathoms Below and Poor Unfortunate Souls, purely because of the re-integration of some of Howard Ashman's cut lyrics (I have a bit of a fascination for deleted Disney lyrics).
The musical numbers lacked the energy of their animated counterparts, with the "live action" performers seeming like they were doing it for the big paycheck from Disney. This also ruined the emotional impact of certain songs such as Her Voice and If Only (the only two songs that carried over from the stage counterparts, and major moments for Ariel and Eric). The costumes also looked cheap and inconsistent, looking like they were bought from Wal-Mart's clearance aisle. Sebastian's took the biggest hit, being simply a red leather jacket (I wonder which Michael Jackson impersonator they took that from) without any claws, while the ensemble's crab costumes looked more like the character than he did.
In regard to the performers, I feel there were a few miscasts, such as Ariel herself and Chef Louis during the Les Poissons number. I enjoyed Cravalho's role as Moana, but I felt like her Ariel was underwhelming; during Part of Your World and its respective reprise, it seemed like she had trouble hitting those high notes, such as during the closing lyrics of the latter.  I think at one point during the production, her voice may have given out; because part of a song sounded like it was being overdubbed by Jodi Benson (Ariel's original voice actress) herself. Her singing was a poor fit for Ariel, and felt lifeless and off-key, making it difficult to invest in her performance. The only performer that I felt was making any effort was Queen Latifah as Ursula, since it seemed like she was having at least some fun in the role. Her take on Poor Unfortunate Souls had a bit of energy to it, and was at least tolerable.
Overall, I would not call this production "bad" (even though it was painful to watch), but "poorly-executed". It seemed like Disney did not know what they wanted to do beforehand, whether it was to re-broadcast the animated film or perform the stage adaptation; they should have either done one or the other, but not both. While it may work in a theatrical setting, the hybrid/live concert concept translates poorly to television, since it breaks the viewer's immersion and confuses them. If I could give some advice for future productions of this nature, please stick to one medium, and give the viewers what you advertised (and Disney, if you do Aladdin, include Proud of Your Boy). For fans of The Little Mermaid, stick with the original film, the stage musical, or the upcoming live-action remake; this is one production that is not really worth seeing unless you are curious.
What did you think of this "experiment"? Feel free to discuss in the comments below, and also be sure to like and follow for more Reviews and Retrospectives updates!

Dragon Ball Z Retrospective Part 2: Majin Buu Arc (Heavy Spoilers)

(Image Source: DaizenshuuEX)

While I enjoyed watching the story of Dragon Ball Z up to the Cell arc, I did not have as much enjoyment of the Buu portion of the storyline. I feel that Cell's defeat at the hands of Gohan made a perfect ending for the series, with the now deceased Son Goku passing the torch to his son, and the world enjoying a much needed era of peace. The Cell arc completed the development of many members of the main cast; Gohan finally broke out of his pacifistic shell and saved the world like his father, Krillin finally found love in the form of Android 18, and Vegeta learned to stop being so narcissistic and self-centered. The series could have ended perfectly at this point and there would be no problem. However, due to editorial mandate, series creator Akira Toriyama was forced to continue the series even further with the Majin Buu story arc. As a result, the aforementioned arc feels both tacked-on and as if it is an "extended epilogue" to the series. Aside from introducing new characters, reconnecting with old ones seven years after Cell, and resurrecting Goku at the end (matter of fact Goku does little in this storyline, as it opts to focus on his sons, Gohan and Goten), this arc contributes very little to the franchise as a whole.

Matter of fact, Buu is not as interesting of an antagonist as Vegeta, Frieza, or Cell were. While the aforementioned three had dynamic personalities that slowly developed, Majin Buu seemed rushed and one-dimensional (you could tell Toriyama was wanting to be done with the series at this point). The character seems infantile, acting only like a destructive, spoiled child as opposed to the calm and interesting villains that came before him. However, I will give Buu something positive, he is somewhat more sympathetic and adorable (especially his first form).

He is also a more formidable foe to the cast, going so far as to literally destroy Earth itself. Another positive to this arc that I will add is the further development of my favorite character, Son Gohan (even going so far as giving him a romantic interest known as Videl). While during the seven year timeskip between Cell and Buu, his power was weakened drastically, he manages to hold his own during the battles he faces in this storyline. However, he is once again quickly knocked to the ground in favor of his father, since he's the "main character". I feel after this, Gohan is drastically underutilized for the remainder of the franchise, being demoted to a small supporting role rather than the protagonist he was hyped up to be in the first half of the series.

This arc was also the introduction to the most useless (and ugliest) of transformations, Super Saiyan 3. The form serves only to be flashy during action sequences and is utilized poorly in Z, with Goku losing a significant amount of time and power while in that state (it essentially becomes the new "Yamcha"). SS3 feels once again like another instance of Toriyama saying "I need to get this series over with as soon as possible and appease my editor".

The Majin Buu arc of Dragon Ball Z is not a bad way to end the series by any means, but the overall execution is rushed, fan favorite characters are tossed aside, and the titular villain of the storyline is severely lacking in development (being essentially the equivalent of a spoiled man-child, rather than an intimidating entity like his predecessors). Buu was an absolutely unnecessary and tacked-on addition to the series, serving as one final villain in Toriyama's extended epilogue to Dragon Ball.

What did you think of the Buu arc? Feel free to discuss in the comments below, and be sure to follow for future updates on the site! Next time, we will be looking at my favorite installment in the series, by going back and taking a look at Goku's childhood in the original Dragon Ball.

Top 5 Unpopular Opinions

The greatest aspect of an opinion is that everybody is entitled to their own; while many may have a similar opinion on one thing, there may be some that think differently. For example, some may think it is great to have more Dragon Ball content on the air with the advent of Super and the new movies, others may think the franchise has long overstayed its welcome. Another example is in regard to Disney's direct to video sequels; some may think a majority of them are horrendous trash, others may think there are quite a few hidden gems (I am in the latter camp, I loved the Lilo and Stitch, Lion King, and Aladdin sequels). I am just as guilty when it comes to unpopular opinions, matter of fact, here are five examples of my own (along with an honorable mention):

• One Piece is an anime that has long overstayed its welcome 
• Before explaining this unpopular opinion, let me give you all a disclaimer; One Piece is by no means a bad anime at all. However, I think an anime (or any ongoing series for that matter) that has gone on for well over 900 episodes is a tad excessive, and creates a problem in terms of pacing. I understand this series is about a band of pirates traveling the globe in search of the titular treasure, but we do not need to see every second of their adventure. If its creator were to streamline the story to the most important moments of the Straw Hat Pirates' adventure, then this series would be much more palatable and easier to get into. I have attempted to get into this series multiple times, but failed each time because the massive episode count and horrendous pacing makes it a chore to watch completely. This series has been ongoing for over twenty years, I believe it is well beyond time for the Straw Hats to reach their final destination and end this series. The longer it goes, the more difficult it will be for a newcomer to get into.

• The Wii U is a genuinely great console
• This one is pretty self-explanatory; Nintendo's Wii U console is one that is gravely underrated. It combines the best aspects of home console and portable gaming, it is Nintendo's first High-Definition console, and its Virtual Console represents all of their previous systems with the exception of the Gamecube. Unfortunately, it was unable to realize its true potential due to Nintendo's poor marketing of the product. They marketed the console as an upgrade to the original Wii, rather than its successor like it actually was. Additionally, third-party developers found it difficult to create games for it. As a result, the Wii U was a commercial failure to the company, similar to their Virtual Boy, and was quickly phased out in favor of the Nintendo Switch. Personally, I loved playing games on the Wii U, and was disappointed to see its quick demise. Matter of fact, it is one of my favorite consoles from Nintendo, next to the Gamecube and Switch. While the third-party support was severely lacking, its range of first-party titles was phenomenal! Games such as Hyrule Warriors, Super Smash Bros., and Nintendo Land were great experiences, and their remakes of Zelda games such as Wind Waker and Twilight Princess were massive improvements over the original. I never beat the original versions of the latter two games, but I quickly beat their Wii U remakes. If you ever get the chance to play this console, I can assure you it will be an unforgettable experience. However, there are some glaring flaws, such as having to be in the same room if you wish to stream the game to the GamePad controller. If you wanted to play purely on said controller, you had to be less than thirty feet away from the main unit or else the signal would be lost. 

• X-Men Origins: Wolverine is a solid film
• Ironically, I believe the X-Men films that are considered "bad" in the eyes of the general consumer to be fairly solid (with the exception of the recent Dark Phoenix); X-Men Origins: Wolverine is no exception. It presents a solid interpretation of Wolverine's origin story, and serves as an excellent lead-in to 2000's X-Men film. The pacing is also solid, with no events being too quick or overstaying their welcome, in addition to having a good balance of action, drama, and comedy. However, I do agree with one criticism of the work, Origins' version of Deadpool. I am glad this version of the character was quickly retconned into the snarky, crude, fourth-wall destroyer the public is familiar with. Ryan Reynolds' initial version of Deadpool was the polar opposite and a far cry from his counterpart in the comics, to the point of his mouth being sewn shut; the character is supposed to be a chatterbox, why make him mute? That aside, it was interesting to see Wolverine's beginnings and the cause of his memory loss in his later appearances. If you catch this film out in the wild, I would highly suggest giving it a watch.

• Disney's live action remakes are not as bad as people think
• Disney's recent trend of live action remakes based on their animated films has been a polarizing subject, with a general consensus finding them mediocre at best to horrendous at worst. Personally, with the exception of Maleficent, I found these remakes to be very enjoyable, gladly defending them whenever possible. I grew up watching the original animated versions of these films, and I am always excited to see new interpretations of these stories. While some may see these remakes as "cheap, soulless cash-grabs", I find these as opportunities for Disney to bring back concepts that were cut from the original films (along with elements from their stage counterparts in some cases), and integrate them with the stories we all know and love. Additionally, it allows the company to address the flaws found in the originals and expand upon them, such as how Belle and Beast's backstories are addressed. However, I will admit these new versions have their share of flaws as well (if you would like to see my opinions on Beauty and the Beast, Aladdin and The Lion King, click on their respective italicized names, as I do not plan to re-address them here). In the case of Dumbo, we are not only re-acquainted with the original story, but shown what happens afterward. Perhaps it is time to give these remakes another shot, seeing them for their own merits instead of in the shadows of their source material; you might find them as "diamonds in the rough", to quote Aladdin.

• Honorable Mention: Sonic 06 is not the worst game ever
• In many lists of "worst video games ever made", the 2006 reboot of Sonic The Hedgehog is frequently mentioned. While it is a barely playable mess with a plethora of frustrating glitches, there is some merit to the game. It presents an experimental scenario of placing Sonic and his cast in a realistic setting, along with a new design for series antagonist, Dr. Eggman (a design I think would work so much better in the upcoming live-action film). The game also introduced a new character to the franchise (Silver the Hedgehog), along with solidifying Sonic Rush's Blaze the Cat's place among the franchise's cast (despite retconning her origin). I am probably one of the few that finds Sonic 06 enjoyable; matter of fact, it was the game that made me want to get an XBOX 360 in middle school. It is by no means a perfect game, nor is it great, but it is a solid title in the XBOX 360's library despite its flaws. It is not the worst game in history either (that goes to the Atari 2600 game based on E.T. the Extra-Terrestrial), and is one that definitely deserves a second look. However, in regard to the Wii U title, Sonic Boom: Rise of Lyric, that mess of a game deserves to burn in the nearest dumpster fire.

• The Little Mermaid's Ariel is a selfish protagonist
• While I understand this may cause me to lose a few readers, I will preface this by saying that I do not think The Little Mermaid is a bad film by any means whatsoever. It has amazing animation (being one of Disney's last to use traditional cel-animation before switching to the CAPS system), a great score from Alan Menken and the late Howard Ashman, and great characters.... aside from the aforementioned protagonist. In terms of Disney heroes and heroines, Ariel is probably one of the most naive and selfish in the studio's history. Her actions and motivation not only endanger herself, but her supporting cast as well. Her exploring the sunken ship at the beginning of the film almost caused her and Flounder to become shark food, and her desire to be with a human prince puts her entire kingdom at risk from Ursula as well. Her father had every right to be protective, since I have a feeling he knew all of this would happen. She is a protagonist that really needed to learn that all of her actions have consequences, both good and bad; throughout the course of the film, she thought little of how her actions would affect others, thinking only for herself. I do admit I am being a bit harsh on the character, but this is one major flaw that I hope is addressed in the upcoming remake. Ariel is a character that desperately needed to gain a sense of humility and consideration for others. 

What are some of your unpopular opinions? Feel free to discuss them in the comments below and on social media, and be sure to give a follow for future Reviews and Retrospectives posts.